摘要
谈起现代音乐的发展就不得不承认后现代音乐对其产生的影响和挑战,甚至还应警惕以后现代音乐代替现代音乐、以零散性代替完整性的倾向。这是因为,在当代社会中曾出现过许多后现代音乐超过现代音乐而大受欢迎的现象。从"系统"概念的视角,分析现代音乐和后现代音乐的形式、特性及意义,并阐述现代音乐和后现音乐的本质差异,对于研究系统和非系统成分的一般理论成为可能具有重要的意义。
When it comes to the development of modem music, we have to admit post-modem music's influence and challenges for it. It even alerts us to the tendency that post-modem music has taken the place of modem muale for its fragment instead of integrity. This is because in temporary society there has been a lot of popular phenomena in which post-modem music is beyond modem music. Based on "system" concept, this paper makes an analysis of the forms, characteristics and significance of modem music and post-mod- em music and then elaborates differences between post-modem music and modem music which makes it possible for us to study the common theory about system and non-system.
出处
《黑龙江教育学院学报》
2012年第6期118-120,共3页
Journal of Heilongjiang College of Education
基金
黑龙江省教育厅人文社会科学项目"基于计算性质的‘系统’与‘非系统’差异研究"(11552206)