摘要
对当代英国剧坛的先锋作家萨拉·凯恩剧作的研究多关注其中的战争、暴力、性虐和变态人格的极端展示等主题,而其中比较重要的性别问题因其对性别的态度而受到忽视。凯恩三个剧本中的性别关系揭示出她试图在消解性别区分的同时,仍然关注性别问题并以女性的形象来隐喻了人性的救赎和希望。
In contemporary English writer Sarah Kane＇s plays gender problem has always been dwarfed by grand themes like war, violence and deformation of humanity due to the playwright＇s attitude towards gender. A look at three of her important plays, however, exposes her concern of gender problems and the gendered metaphor of human redemptionin spite of her attempt to eliminate the gender difference.
出处
《黑龙江教育学院学报》
2012年第6期139-142,共4页
Journal of Heilongjiang College of Education
基金
广东省"211工程"三期重点学科建设项目之一"女性主义视角下的20世纪英美女作家研究"的中期成果(GDUFS211-1-005)
关键词
性别
权力关系
救赎
gender
power relation
redemption
