现代江南市镇文学中的留守女性形象

The Left-behind Women Image in the Jiangnan Modern City and Town Culture

现代作家对现代江南市镇文化的文学书写,建构了现代江南市镇文学。此类文学中的留守女性形象系列,主要有许钦文小说《疯妇》中的双喜媳妇、许杰小说《大白纸》中的香妹、王鲁彦小说《菊英的出嫁》中的菊英母女和《屋顶下》中的阿芝婶、叶绍钧小说《倪焕之》中的金佩璋等。这些留守女性形象,除了金佩璋为有知识的新型职业女性外,其他都是传统女性,具有浓郁的悲剧性。

The modern writers＇ writings on Jiangnan city and town culture have constructed Jiangnan modern city and town literature. The left - behind women images in such literature are chiefly represen- ted by Shuangxi＇s wife in Xu Qinwen＇s novelA Mad Woman, Xiangmei in Xu Jie＇s novel Da Baizhi , Juying and Her Mother in Wang Luyan＇s novel Juying＇s Marriage and Aunt A Zhi in Under the Roof, Jin Peizhuang in Ye Shaojun＇s novel Ni Huanzhi, etc. Among those women, only Jin Peizhuang is a new educated woman and all the others are traditional women with tragic fates.