摘要
本文以女性与自我,女性与男性,女性与女性这三个研究角度为切入点,重点探究奥地利女作家埃尔弗里德·耶利内克的两部剧作《娜拉离开丈夫以后》(《又名社会支柱》)与《克拉拉·S的音乐悲剧》中所反映的女性生存状况,旨在分析两部剧作中所刻画的女性生存书写的问题:生存在男权社会下的女性处于客观从属的地位。
This paper is based on the research of the relationship between female and the ego, female and male, female and female, mainly focusing on the female survival situation reflecting in Austria writer Elfriede Jelinek' s two plays - What Happened after Nora Left Her Husband; or Pillars of Society and Clara S, a Musical Tragedy, which aims to analyze the writings of female survival problem that female of patriarchal society is in the subordinate position.
出处
《湖北第二师范学院学报》
2012年第6期11-12,共2页
Journal of Hubei University of Education
基金
华东交通大学校立科研基金(10WYO2)
关键词
耶利内克
剧作
女性生存
Elfriede Jelinek
plays
female survival