历史之维:体裁的自我意识及创造性记忆——以巴赫金的体裁理论为例

Historical Dimension: the Self-awareness of Genre and Its Creative Memory——Taking Bakhtin's Genre Theory as an Example

体裁是一个享有特权的对象,它完全可能获得殊荣而成为文学研究的主要角色。体裁作为评价理解和描绘世界的一种领域和范围,巴赫金不仅在狭义的文学背景下看待体裁,而且在更为广阔的社会生活视野中进行了深入的考察,构建起了他独特的"体裁诗学"理论。从历史之维探寻体裁,从而可以聆听出体裁中曲折的历史回响。巴赫金的体裁理论具有强烈的"历史意识",体裁的"现代化"使其"总是同时既老又新"。互文性是历史镶嵌入体裁的一种形式。体裁可以洞穿无数的历史波澜,而保存自身的形式。体裁的"创造性的记忆",实际上是巴赫金对体裁在历时之轴上所做的一个生动的比方。

The genre is a privileged object,which is entirely possible to get the honor to become the major role of literary studies.As a kind of area and scope used to evaluate the understanding and depict the world,Bakhtin is not only look at genre in the narrow sense of literary context,but also make in-depth thinking and study in the broader vision of social life,which build his unique＂ genre of poetic theory.Exploring the genre from the historical dimension can listen to a genre in history.Bakhtin＇s genre theory has a strong ＂sense of history＂ and ＂modern genre＂ always keeps it ＂old and new at the same time＂.Intertextuality is a form that the history inlaid in the genre.The genre can penetrate the numerous historical waves,and keep the form.The genre of ＂creative memory＂ is actually a vivid example that Bakhtin make the genre in the historic axis.