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京都赋引《诗》用《诗》的经学色彩

The Introduction of "Classic of Poetry" into "Rhyme Prose" about Metropolis
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摘要 辞赋作品引《诗》用《诗》之风源于两汉经学与文学互动,即使在经学衰微的魏晋时代此风仍然不减。不同风格的辞赋作品对《诗》的题材和艺术表现手法等有着异彩纷呈的发挥,而京都赋题材的作品对《诗经》文辞的称引和化用则呈现出特殊的光芒。 The introduction of "Classic of Poetry" into "Rhyme Prose" was derived from the intercourse between Literature and Confucian Classics Study in the period of Western Han and Eastern Han dynasties, which was still strong in the decline of the study of Confucian classics in the period of wei-jin dynasties. Different styles of "Rhyme Prose" play wonderfully in theme and artistic expression of "Classic of Poetry", especially the "Rhyme Prose" about metropolis plays more perfectly in the introduction of "Classic of Poetry".
作者 金鑫
出处 《安顺学院学报》 2012年第3期8-10,19,共4页 Journal of Anshun University
关键词 京都赋 经学 引《诗》用《诗》 rhyme prose about metropolis study of Confucian classics introduction of "Classic of Poetry"
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参考文献1

  • 1费振刚等辑校.全汉赋[M]. 北京大学出版社, 1993

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