摘要
先秦时代的美学注重审美感觉在审美心理中的作用，它强调感觉的和谐，要求通过物我相合，使审美主体与客体达到内在的平衡，进而使人的感官之美符合道德伦理的善，反对感官至上对道德理性的冲击。这些观点奠定了中国美学以和为美的特征。
Aesthetics in Pre Qin stresses the role of aesthetic awareness in the psychological process of aesthetics. It emphasizes harmony, aiming at reaching internal balance of subjectivity and objectivity in aesthetic experiences. This idea is further described as an agreement between sensual perception of beauty and ethical code of kindness. Obviously the theory objects to the claim that the sense will interfere with the morality. This, the author believes, is the foundation of the characteristics of Chinese aesthetics which advocates beauty of harmony.
出处
《中国人民大学学报》
CSSCI
北大核心
2000年第3期97-102,共6页
Journal of Renmin University of China
