摘要
中国40年来的经济建设,导致了重大的音乐考古发现层出不穷。这些底蕴深厚的出土文物,不断地撼动着旧有以文献为主要史料基础的中国音乐史。它使人们看到了传统中国音乐史学显而易见的局限,也使人们深深地感觉到,数十年来逐步形成的整部中国音乐史,有了重新认识和估价的必要。文章在中国音乐考古学研究的基础上,选择马王堆汉墓、曾侯乙墓和曾侯乙编钟、广州南越王墓、贾湖骨笛、新干大洋洲商墓、新郑郑国祭祀遗址、洛庄汉墓、鄯善洋海箜篌、奉节石哨、鸿山越国贵族墓等10例特别重大的音乐考古成果,提炼其核心的学术资料,加以客观的评述;并在全面考古学研究的基础上,扼要阐发其所含深层的历史意义。"十"者,概数也;"大"者,孔见也。以此与有兴趣于中国音乐文化研究的国际学人共享。
Forty years' economic construction has led many archaeological discoveries in China. The unearthed cultural relics are shaking the history of Chinese music based on the old cultural relics. The limitation of traditional Chinese music historiography is easily seen. It makes people feel that the whole history of Chinese music gradually formed in several decades needs to be reconsidered and revalued. Based on archaeological studies and ten great ar- chaeological discoveries in China, such as Han-tomb in Mawangdui, Zenghouyi-tomb and Zenghouyi-serial bells, the paper gives external commentary. The paper collects ten archaeological discoveries, hoping to share them with those who are interested in research of Chinese music culture.
出处
《星海音乐学院学报》
CSSCI
2012年第2期34-49,77,共17页
Journal of Xinghai Conservatory of Music
关键词
马王堆汉墓
曾侯乙墓
南越王墓
贾湖骨笛
大洋洲商墓
郑国祭祀遗址
且末
鄯善箜篌
洛
庄汉墓
奉节石哨
鸿山越国贵族墓
Han-tomb in Mawangdui
Dayangzhou
rite site of Zheng state
tomb of Yue state in Hongshan Zenghouyi-tomb
South Yuewang-tomb
bone-flute in Jiahu
Shang-tomb in Shanshan harp
Han-tomb in Luo village
stone whistle in Fengjie
noble-