用纸再现历史印迹

Reproduction Of Historical Traces On Paper

吉胜久先生本着“做工精细、体量适合、素自无色”的原则创作出许多件纸塑艺术品，其在创作过程中总结出了“缩放得体”、“自上而下”、“繁简适当”等经验。使其纸塑作品，大到天坛祈年殿、岳阳楼，小到小提琴、羽毛球，均保留了原物的神韵，且立体感突出。专家曾以“素以为绚、妙造自然”来评价他的作品。中国民协主席冯骥才先生称赞他“十指能传万物神”。

Ji Shengjiu＇ s original paper artworks, as large as the Temple ol＂ Heaven and Yueyang Tower and as small as violin and badminton, retain the charms of originals and give strong three-dimensional feelings.