杜甫的书法艺术与书法审美

Du Fu's Calligraphic Art and Aesthetics

大诗人杜甫擅长楷书、隶书和行草书,是一位名副其实的书法艺术家。他的书法审美思想后期与前期不同:前期崇尚张旭,崇尚草书,崇尚豪放;后期崇尚李斯、蔡邕、李潮,崇尚篆隶,崇尚瘦硬。其原因是他的生活状况和思想状况起了变化。

Du Fu is not only a great poet in ancient China, but also a great calligrapher apt at various cal- ligraphic styles. His understanding of the calligraphic art and aesthetics in his earlier years differs from that in his later years ： during the former period he prefers the cursive hand that indicates boldness and unconstrained- ness, represented by Zhang Xu （ 675 - 750 ）, whereas during the latter period such calligraphers as Li Si （280B. C. -208B. C. ）, Cai Yi（133 - 192） and Li Chao（ ？ - ？） become his favorites for their seal-character and official - script styles characterized by slim but vigorous strokes. This evolution in his preferences is resuited from the vicissitudes of his life and the change of his mind.