摘要
艺术真理问题是西方诗学与哲学论争的中心问题。19世纪西方文化界多从自然科学的角度否认精神科学的真理要求。伽达默尔承继海德格尔的真理"言说"重提艺术的真理要求,并从哲学诠释学的角度深入阐发了艺术的本体论结构、艺术真理因表现活动而"在的扩充"、艺术真理与此在在世的问答逻辑等基础性问题,从而丰富了古典哲学范式下的艺术真理理论。
Truth of art is a key controversial topic between western poetics and philosophy. Since the 19th century Western academics, from a natural science perspective, had denied the necessity of truth in spiritual science until Gadamer who reiterated the necessity of artistic truth. Inheriting Martin Heidegger＇s theory of ＂truth telling＂ and from a philosophical hermeneutical perspective, Gadamer elaborates the ontological construction of art, artistic truth as expansion of being resulted from expression, and the dialogue logic between artistic enriches the truth of art theory under the classical truth and Sein and Dasein. In those ways Gadamer philosophy paradigm.
出处
《井冈山大学学报（社会科学版）》
2012年第4期59-63,70,共6页
Journal of Jinggangshan University(Social Sciences)
基金
广东省高校人文社科重大攻关项目"中日哀感文学比较研究"(项目编号:11ZGXM750010)
广东省学位与研究生教育改革项目"人文类研究生改造知识结构问题求索"(项目编号:11JGXM-MS24)
