摘要
黄宾虹对古法的汲取和自然的启悟下,其绘画成就推进了中国山水画的半抽象化进程,其画面布局、笔墨结构、用墨特点等方面都形成了独具自身标记的笔墨"内美"意蕴。
Enlightened by his adoption of traditional painting methods and the nature, Huang Binhong has promoted the semi - abstractness process of Chinese landscape paintings with his own achievement. The characteristics of his works, in- eluding the layout, the ink - brush structure and painting style, have become a unique mark of the internal beauty of ink.
出处
《贵州大学学报（艺术版）》
2012年第2期79-82,共4页
Journal of Guizhou University Art Edition
基金
甘肃省2009教育科学"十一五"规划课题"美术史教学中中国山水画史的关键点研究"[项目编号:GSBG(2009)GXG116]阶段性成果之一
关键词
黄宾虹
线条
笔墨
抽象
Huang Binhong, line, ink and brush, abstractness
