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地方戏与旅游产业的互动性生存——以贵州地方戏为例 被引量:1

Interactive Coexistence of Local Opera and Tourism Industry——A case study of Guizhou local opera
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摘要 演出是戏剧的生命,是戏剧的应然存在状态。在戏剧整体衰落的时代语境中,地方戏更是遭遇前所未有的生存挑战。学、业界为保护或复兴戏剧提出过各种策略方案,但成效不佳。本文通过考查贵州地方戏剧文化生态的发展现状,根据地方戏的地域或民族文化特性和旅游活动的本质,在注重文化交流与互动的时代,将地方戏作为旅游产品进行开发利用,能保证地方戏的演出,从而实现保护地方戏的目的,旅游也能借助地方戏获益。地方戏与旅游能实现互动性生存。 Performance is the lifeline of the opera, and a state where it should be located. In an age when the whole op- era industry is declining, local opera has faced an even greater survival challenge. Despite various kinds of rescuing strategies raised by the academic and industrial circles, little has changed for better. After an investigation of the current development situation of the cultural ecology of Guizhou local opera, this paper advocates for the development of local opera as a tourist product in an era of frequent cultural exchange and interaction, because of its regional and national cultural features and its essence as a tourist activity. Then performance would be ensured so as to protect it, and at the same time tourism would also benefit from it. That is the interactive coexistence of local opera and tourism industry.
出处 《贵州大学学报(艺术版)》 2012年第2期93-99,共7页 Journal of Guizhou University Art Edition
基金 贵州省教育厅人文社会科学研究青年项目"地方戏与旅游产业的互动性生存--以贵州地方戏为例"[项目编号:11QN019]结题成果
关键词 演出 地方戏 旅游 互动性生存 performance, local opera, tourism, interactive coexistence
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同被引文献2

  • 1黄珠瑜,向时明,王柱全.梁山灯戏[M].贵州人民出版社,2012.
  • 2潘鲁生.中国民间艺术发展趋向[E].新浪博客,2006.

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