摘要
当代的傀儡艺术发生了什么?对我们中国的戏剧创作实践可能产生何种价值?这是值得探讨的问题。本文试图从一个中国人的视角,以对当代文献的阅读和当代傀儡实践的观察为基础,力求揭示这些问题。
What is the condition of contemporary puppet shows？ What have they provide for theatre creation and practice in China？ These are questions that deserve answers. Based on literature review and observation of puppet shows in contemporary China, the author tries to provide answers to the above questions.
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2012年第2期22-31,155-158,共10页
Drama:The Journal of the Central Academy of Drama
关键词
傀儡
傀儡概念的泛化
表演物体
物体戏剧
物的人化
人的物化
puppet shows, generalization of the concept of puppet, performing objects, theatre ofobjects, personification of objects, objectification of persons
