摘要
“红灯区，绿灯区，人间甘苦，都市之夜入画图。”这是我对自己80年代所作油画《香港夜景》的画外题词。自50年代别离了巴黎的霓虹灯，30年来没有见过城市的花花世界。80年代突然从北京来到繁华的香港，却首先想到红灯背后苦难的人群，享乐的人们，人生的纷乱。不同于夜晚的彩色缤纷，白天从高楼上看香港，满眼楼房屋宇，道路奔驰，密密层层的线、面交错，构成直与曲的协奏。我用线勾勒那天旋地转的海市蜃楼，画面已经密不通风了，更加彩点击节，煞是热闹。
＂Red-light district or green-light district, men＇s joy and misery are all told in a night-scene painting.＂ These are the words I added to the piece I did during the 1980s, ＂A Night in Hong Kong.＂ Since I parted with Paris＇s neon lights in the 1950s, I had lived away from cosmopolitan glamour for about thirty years. Then suddenly, I found myself in a prosperous Hong Kong of the 80s, far removed from Beijing＇s quietude.
出处
《中国翻译》
CSSCI
北大核心
2012年第4期122-123,共2页
Chinese Translators Journal
