摘要
中国传统园林与书法是中国特有的文化现象,有着各自的发展规律,但从审美思想、创作手法和鉴赏习惯上看,存在着审美文化的同构性。通过对前人研究成果的分析与梳理,本文探讨了两者在表层文化结构和深层文化结构的内涵,揭示出两者审美文化异质同构的文化基础,以此丰富园林审美的内容,更准确地把握和构筑园林与书法异质同构的理论框架。
Traditional Chinese garden and calligraphy are the unique culturat phenomenon in China.They have their own rule of development, but there are aesthetic and cultural isomorphism in the aesthetic ideas creative techniques and appreciation way. Through the analysis of the results of previous studies. both the surface cultural structure and deep cultural structure are studied and the cultural foundation hidden in the aesthetic and cultural similarities are revealed.Ultimately, it is the aim to enrich the garden aesthetic culture content and to grasp and build the theoretical framework of aesthetic and cultural somorphism between more accurately andscape and calligraphy
出处
《建筑师》
2012年第3期71-74,共4页
The Architect
关键词
中国传统园林
书法
异质同构
文化结构
Traditional Chinese Garden
Calligraphy
Aesthetic Cultural Isomorphism
Cultural Structure
