摘要
张洁在《无字》中的男性批判经历了从"神"到"鬼"的嬗变过程,她笔下的男人由开初的单纯、可爱、很有味道渐渐被异化变形成为复杂、冷酷、诿过自保和唯利是图。但是,张洁对于男性批判并没有拘囿于打击报复某一两个伤害女人的男人,其真实意图在于从历史革命大背景中寻找、挖掘男人性被政治、被男权文化异化的根源。
In her novel No Words, Zhang Jie' s hero of male criticism undergoes an experience of divinity to devil. In her novel, the male image is gradually alienated from simple - minded, lovely and adorable character into complicated, cruel, and mercenary men who always put blame on others in order to protect themselves. Neverthe- less, Zhang Jie does not confine the target to one or two men who have hurt women. What she devoted to search in- to is the root of the fact that the men are alienated by politics and male chauvinist culture under the historical and revolutionary background.
出处
《菏泽学院学报》
2012年第3期29-33,共5页
Journal of Heze University
基金
菏泽学院人文社科基金项目"20世纪女性文学视界里的男性形象观照"(XY07WX02)
关键词
《无字》
男性批判
政治异化
男权渗透
两性关系
No Words
male criticism
political alienation
male penetration
sexual relationship