施托克豪森钢琴曲Ⅴ-Ⅺ对序列理念的坚持与改造

The Persistence and Transformation of the Serialism Ideas in Stockhausen's Klavierstück Ⅴ～Ⅺ

德国著名现代音乐作曲家卡尔海因茨·施托克豪森的《钢琴曲Ⅴ-Ⅺ》创作于20世纪50-60年代,文章围绕作品的创作形成、偶然手法表现以及序列理念的坚持三个方面进行论述,探究了作曲家如何对序列创作进行试验与改造,也反映出当时的序列创作已经面临着巨大的发展阻力,施托克豪森通过对钢琴曲的实践,努力地为序列音乐探寻新的创作变化。

The Klaviersti.ick V- XI composed by German composer Karlheinz Stockhausen during 1950s- 1960s. This paper focused on three aspects of formation of his works, representation of the Aleatoric technique, and persistence of the Serialism ideas, explored the composer how to experiment and reform the Serialism creations, also reflected the Serialism creations had been faced with the huge resistance, and how Stockhausen through the piano practice to explore the new creative changes for the Serialism music.