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性灵的觉醒——明末清初景德镇陶瓷绘画的兴起 被引量:3

SOUL AWAKENING——THE BEGINNING OF JINGDEZHEN CERAMICS DRAWING BETWEEN THE QING DYNASTY AND MING DYNASTY
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摘要 在中国历史上,明末清初既是"天崩地坼"的政治大变动时期,又被西方的汉学家称为中国的"文艺复兴时期"。由于社会经济、政治的深刻变化,推动了社会风尚与观念的改变,主体意识觉醒的思潮体现在文化艺术的各个方面。此时,景德镇陶瓷艺术发展到历史前所未有的高峰,西方人把这段时期称为"过渡期瓷器",这一段时期,景德镇陶瓷绘画随着民窑的兴盛以及版画的流行,也融入这个"独抒性灵"的时代洪流。 In the Chinese history,It was the collapsed political change time during the end of the Ming dynasty and the beginnjng of the Qing dynasty,is also called by West's sinologist China"the renaissance".The social economy,the political profound change,impelled the social morality and the idea change.The ideological trend of individualism manifested in cultural art each aspect.This time,Jingdezhen ceramics art developed the historical unprecedented peak,that is called this times "the transition-period chinaware"by the westerners.This times,the Jingdezhen ceramics drawing integrated the mighty time current of the"expressing the soul alone"with mature craft,prosperous people kiln as well as the popular print.
作者 李青阳
出处 《中国陶瓷》 CAS CSCD 北大核心 2012年第7期60-60,61-62,共3页 China Ceramics
关键词 陶瓷绘画 明末清初 民窑 版画 Ceramics Drawing the end of the Ming dynasty and the beginnjng of the Qing dynasty people kiln print
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