论女性历史叙述的多种可能性——从《第九个寡妇》、《小姨多鹤》看严歌苓的历史叙事

The Many Possibilities of Female Historical Narrative

历史叙述作为国家、民族意识形态建构的坚固手段,一直以来是以男权话语为中心展开叙述的。女性叙述历史的话语权,长久以来处于被遮蔽、被隐匿的状态。严歌苓《第九个寡妇》、《小姨多鹤》两部小说,通过改写与设置个人视野来解构宏大叙事,从个体体验消解革命政治,突出对个体生命意识的尊重,以"逃离—隐藏"的叙述叙事模式,向读者展现了女性眼中独特的"历史"图景。

Historical narrative,as firm means of a national ideology construction,has been in the male discourse as the center of narrative.Female narrative history of the discourse right has been in a hidden state for a long time in the covered.Yan Geling＇s two novels：Ninth Widow and Aunt Duohe are the deconstruction of grand narrative by rewriting and highlight the individual life consciousness of respect and interpret revolutionary politics from a personal perspective and from individual experience.By narrating in a fleeing and hiding way,the author shows readers a unique history of in a female＇s eye.