唐兴玲诗歌论

On the Poetry of Tang Xingling

唐兴玲诗歌写作在爱和死亡两个向度上探索,充分显露了她的语言才华。正是强烈的死亡意识的在场,使她摆脱了语言和写作双重的惯性,而臻于挥洒自如、"见山是山,见水是水"的境地,她的后期写作呈现出某种语言的必然性,一种出乎意外的语言行动。浓烈的生命气息和水到渠成的形而上的思辨的形象表达,大大拓展了她的诗歌肌理的丰富性和可能性。文本在她的身后敞开,她终将在那里找到更多的对话者。

Tang Xingling explores the themes of love and death in her poetry, fully revealing her talent for languages. It is just because of the presence of the strong consciousness of death that she is able to free herself from the double force of the inertia in language and wrlting, and wield her pen with facillty, attaining the realm of ＂viewing the mountain as the mountain, seeing the water as water. ＂ The later period of creative writing presents a necessity of a certain style of language with an unexpectedly speech act. A vibrant breath of life with effortless figurative expression of metaphysical analysis, allows a great expansion for the richness and possibility of the texture of her poetry. Without restriction in her the text of her poetry, she will be able to find more and more people as the interlocutor.