摘要
"推陈出新"是毛泽东为延安平剧研究院题写的题词,其精神实质是强调"批判地继承"与"创造性发展"相结合。延安艺术家们就是在"推陈出新"原则指导下,从利用民间艺术到改造民间艺术到创制出具体鲜明民族特色的新艺术形态,最终实现了对民间艺术资源的"创造性转化"。其中,以对秧歌的利用、改造、创新最具代表性。
"Innovation" is an inscription inscribed by Mao Zedong for the Institute of Yanan Flat Play. Its spiritual essence is to emphasize "critically inherit" and "creative development". Under the guidance of the principle, Yanan artists created a new art form with distinct national characteristics, by using folk art resources first, then transforming folk art form, and finally achieving a total folk art "creative transformation". Among them, the creation of "Yangge dancing" is the most representative case of folk art transformation.
出处
《玉林师范学院学报》
2012年第3期93-96,共4页
Journal of Yulin Normal University
基金
河南省哲学社会社科规划项目"延安文学与农民文化关系研究"(2010FWX017)的阶段性成果
关键词
延安文艺
民间文艺
创造性转化
秧歌
Yanan literary folk
literature and art
creative transformation
Yangge dancing