摘要
J.M.库切的《福》通过对星期五、苏珊.巴顿和第四部分叙述者"我"的重构与建构,解构了《鲁滨逊漂流记》这部经典之作,以及在历史、文化和社会中被建构起来的写作秩序——以一部分人话语建构的需求,篡改和压制另一部分人的话语建构。但无论是秩序的积极参与者,还是被篡改或被压制者,都无法凌驾于这种秩序之上,最终每个人都既是参与者,又是受害者。
By the re-construction and construction of Friday,Susan Barton and the narrator "I" in chapter 4,J.M.Coetzee’s work Foe has deconstructed the classical work Robinson Crusoe and the order of writing which was constructed in history,culture and society.This order of writing has distorted and suppressed some people’s discourse with other people’s demands of discourse building.But no matter the order’s positive participants or the people who are distorted or suppressed,they all can’t be above of the order.In the end,everyone is participant as well as victim of the order.
出处
《齐齐哈尔大学学报(哲学社会科学版)》
2012年第3期119-121,共3页
Journal of Qiqihar University(Philosophy & Social Science Edition)
关键词
星期五
苏珊.巴顿
“我”
解构
写作秩序
Friday
Susan Barton
"I"
deconstruction
the order of writing