文学想象在现实主义文学创作论中的悖反性存在

The Paradoxical Existence of Literary Imagination in the Theory of Realistic Literature Creation

"现实主义"作为一种文学思潮自19世纪被正式提出后,直至今天仍是学界关注的一个重要话题。尤其在20世纪",现实主义"的泛化使其完成了文学越界,其影响力已经渗透到众多领域。现实主义在理论主张与创作实践"对接"的过程中,关于文学想象这一争议性话题始终进行着自我悖反性言说,即在理论预设上为了张扬现实而排斥想象,但在创作实践中却又无法回避想象。"现实主义"对文学想象的刻意拒斥,削弱了文学想象在文学创作论中的地位,对其后的文学思潮与创作实践产生了极大影响。对这一问题的厘清,不仅能够深化人们对现实主义这一文学创作思潮的理解,也将有助于我们更好地把握我国新世纪现实主义文学创作的方向。

As a literary trend, ＂Realism＂ has been formally raised since the nineteenth century and is still an important topic of concern in this field up to now. Particularly in the twentieth century, the generalization of ＂realism＂ helped itself cross the literary border, thus its influence has been spreading into many areas. During the ＂docking＂ process of theory and practice, Realism keeps its self-paradoxie~/1 speech on the topic of literary imagination, that is, in terms of the theoretical basis, rejecting imagination is for the sake of displaying reality, while there is no way to avoid imagination in the course of practice. Realism＇ s deliberate rejection of literary i^nagination weakens the position of literary imagination in literary cre- ation and has a great impact on the later literary trend and writing practice. To clarify this issue not only helps to deepen people＇s understanding of realism as a literary trend, but also helps us better grasp the direction of realistic literature creation in China in the new century.