摘要
高晓声的《李顺大造屋》是当代文学中批判农民国民性的典范性文本。李顺大的“国民性”在某种意义上成为一个开放性的场域,封建传统文化的沉积和延伸、政治意识形态的强行塑造和规训,以及知识分子的集体想象和文学讲述共同编织了李顺大的“国民性”。这种“国民性”的意义之网,在李顺大“游民——农民——臣民——弃民”的身份转换中留下了清晰的痕迹。
Gao Xiaosheng' s The House Building by Li Shunda is a canonical text for criticizing farmers" national character in contemporary Chinese literature. Li Shunda' s "national character", which is an open field in a sense, has been jointly formed by the deposition and extension of the feudalistic traditional culture, the forced molding and regulation of the political ideology, and by the collective imagination and literary narration of intellectuals. The net- work of significane of such a "national character" has !eft an explicit trace in the identity transition of Li Shunda from "a vagrant" through "a farmer" and "a subject" to "a rejected citizen".
出处
《海南师范大学学报(社会科学版)》
2012年第4期60-65,59,共7页
Journal of Hainan Normal University(Social Sciences)
关键词
《李顺大造屋》
国民性
游民
农民
臣民
弃民
The House Buidling by Li Shunda
the national character
vagrants
farmers
subjects
rejectedcitizens