理性与痴狂——院体与文人画品之辩

Rational and Crazy——Academy and literati paintings debate

绘画艺术应该是最能直接表达画家本人及画家自身以外丰富多彩的情感世界的一种媒介。不同的人群均会有着不同的社会心态,在创作时,这种心态会自觉的融入到绘画作品之中。文章通过画家所处的地位和社会历史条件等因素来解析院体画与文人绘画为何会出现两种截然相反的审美情趣,且进一步完善中国画审美中"画品"即"人品"理论观点。

The art of painting is a kind of medium that most directly express the painter himself and the painter＇ s rich and color- ful emotional world. Different groups of people will have different social mentality which integrate into the paintings consciously in the creation. This paper analyzed the reason why the academy of painting and the literati painting showed two diametrically opposed aesthet- ic taste by the status of the painters, social and historical conditions and other factors, and further improved the theoretical viewpoint of ＂paintings＂ that is ＂character＂ in the aesthetics of chinese Painting.