潜在于斯特拉文斯基第一创作时期的自律美学

"Formal Autonmie" Concept is Hidden in Stravinsky's First Creative Period

斯特拉文斯基以3部舞剧成名于世——《火鸟》《彼得鲁什卡》《春之祭》,学界从美学角度把此创作阶段定性为"他律的""情感表现的"音乐。而作为斯特拉文斯基最具争议与个性的新古典主义音乐创作阶段,却被学界定名为"形式主义"音乐。作为一个作曲家,两个创作时期的创作观念居然大相径庭,甚至有专家称他为"最善变的作曲家"。针对斯特拉文斯基第一创作阶段,从其创作背景及言论并参考国外其他学者的研究成果揭示出"形式——自律"观念并非在其第二创作时期(新古典主义时期)突然形成,而是在第一创作时期就已经埋下伏笔。

Stravinsky,famous in the world with 3 ballets ＂Fire bird＂ ,＂ Petrouchka＂and ＂ Rite of spring＂. The academia from the angle of aesthetics,the creation stage characterized as heteronomy, emotion music. As Stravin- sky＇ s most controversial and personality new classical music creation stage, but scholars named formalism music. As a composer,two creative periods of creation idea should be quite different, some experts have even called him the most versatile composer. The research object of this paper is mainly focused on Stravinsky＇ s first creative phase. From the background to Stravinsky＇ s own words and reference of other foreign scholars research resnlts reveal ＂Formal Autonmie＂concept is not the sudden formation in the second period of creation （ the neoclassi- cism period）, but in the first period of creation is foreshadowing, hidden in this phase.