接受美学视角下译者的创造性叛逆——以美国寒山热为个案

On Creative Treason from the Perspective of Reception Aesthetics——A Case Study of the Popularity of Hanshan’s Poem in United States

作为一种文艺批评理论,接受美学将研究重点由传统的以作家为中心或以文本为中心转向了以读者为中心,突显了读者在文学作品接受方面的作用。文章以二十世纪五六十年代在美国盛行的寒山热为例,列出读者和接受环境创造性叛逆的理据,从接受美学的角度提出：接受者和接受环境创造性叛逆的制约因素之一是当时接受环境中的接受者期待视野,并且鉴于期待视野的动态性而具有共时性和历时性及恒定性和变异性。

As a kind of literature critical theory,reception aesthetics transfers the research emphasis from the writers or the text to the readers,thus stresses the function on the acception of the readers.This article take the popularity of Hanshan’s poem in United States in the 50s and 60s of the 20th century for example,presents the reasons of it.Finally,advocates one of the restrictive reasons is the receptor’s Horizon of Expectation in the receptive environment.Based on the dynamic characteristic,it has the synchronic and diachronic features.