摘要
郁达夫是中国现代文学史上以忧郁、感伤为抒情主形态的浪漫主义文学的代表作家,其作品塑造了一系列自我分裂、心理病态的多余人形象。郁达夫这种审美风格的形成,既受到中国传统文化的影响,也与他对外国文学的创造性的吸收密切相关。但他只是将外国文学作为认识、阐释中国传统文化的新视角和新方法。本文通过梳理郁达夫与外国文学的关系,剖析其人物变态人格中的异域因子,为更全面认识中外文学交流中借鉴与创造的关系,提供一个具体的范例。
Yu Dafu is one of the representative romanticism writers in the history of modem Chinese literature characterized by melancholy and sentimentalism, and his works created a series of Superfluous Men, schizophrenic and psychotic. This aesthetic style is formed both by Chinese traditional culture and foreign literature. The foreign literature endowed Yu with a new perspective and method to approach Chinese traditional culture. The paper is to analyze Yu's relationship with foreign literature for an more comprehensive un- derstanding of the relationship between Chinese and foreign literature.
出处
《中国比较文学》
CSSCI
北大核心
2012年第3期39-49,共11页
Comparative Literature in China
关键词
郁达夫
多余人
中国传统文化
中外文学关系
Yu Dafu
Superfluous Man
Chinese traditional culture
literary relationship between China and other countries