摘要
文章以建筑师对农民盖房使用"白瓷片"的态度为切入点,分析思考了"白瓷片"为何会受到专业人士嘲笑与其在现实中的尴尬处境,并进而通过对森佩尔、路斯和柯布西耶理论及作品的内在关联与变化梳理,得出他们为何会逐步走向"白色建筑"的内在原因及建筑学贡献,在此基础上文章反思了为何同为白色材料却会遭遇到如此不同的际遇。
Taking the architects＇ attitude to the ＂white tile＂ used by the farmers to build their houses as the starting point, this article makes an analysis on why the ＂white tile＂ is laughed at by the professionals and its embarrassing situation in reality. Based on the internal tinks and changes of the theories and works by Semper, Loos, and Le Corbusier, it identifies the underlying reasons why they gradually moved towards the ＂white buildings＂ and their contributions to the architecture. It thus reflects on why the materials with the same color are treated in different ways.
出处
《城市建筑》
2012年第6期36-37,共2页
Urbanism and Architecture
