从白志群电视舞蹈作品看中国电视舞蹈的审美品格

On Aesthetic Qualities of TV Dance in China Based on Bai Zhiqun's TV-dancing works

电视舞蹈作为现代新媒体技术的新兴交叉艺术,长期以来更受人关注的是创作过程中舞蹈语言与影像语言的融合,如何将舞蹈语言解构、重构形成特有的意味,影像语言如何给舞蹈一个新的运动空间等问题。然而,一种新艺术类型的成熟,与自身是否建立了独特的美学品格有关,这正是目前电视舞蹈创作面临的重要问题。笔者以为,电视舞蹈若想真正在中国扎根生长,就必须经历"中国化"的历程,而这一历程的主要路径之一,就是在现代的电视舞蹈创作中融入中国传统的审美意蕴。本文以中国电视舞蹈创作领域的代表人物白志群的电视舞蹈作品为案例,分析其作品视觉意境所传达出的中国传统美学意蕴,对如何建立中国电视舞蹈创作审美品格这一问题进行了思索。

TV dace is a new interdisciplinary art using the modern media technology. For a long time, much more attention has been paid to such issues as the combination of dance language and video language, deconstruction and reconstruction the dance language for peculiar meaning, the new movement space created by video language, etc. However, the maturity of one new type of art is marked by its unique aesthetic characters, which is an import issue confronted by TV dance. The author of the paper believes that localization is one of the major approaches to develop TV dance in China. The contemporary TV-dancing creation should be blended with aesthetic implication of Chinese traditions. This article takes as a case study TV-dancing works of Bai Zhiqun, who is a representative in the field of China~ TV-daneing creation, analyzing Chinese traditional aesthetics implication conveyed by the visual conception and giving suggestions on how to establish aesthetic qualities in the TV-daneing creation in China.