摘要
佛经故事相关母题的渲染,推动了“引诱不成则诬害”母题文学化的充分进行与普遍推展。同时,在华夏中土文化氛围里,加剧了对作为女性的诬陷者的否定倾向与道德谴责。在明代,上述母题得到了中国古人较多的关注。公案小说、仙道小说、讲史小说、世情小说均有。存在着雅文化与俗文化两种表现模式。对于这样一个阿拉伯、欧洲都有的世界性的母题。其何以能成为世界性的且在中国兴盛,要从中国古代妾婢文化的深层心态、传统女性自身的种种弱点以及民族劣根性等方面找原因。
In the evolution of motifs, the inspiring function of translated literatures cannot be underestimated, The earliest source of a motif is always originated from another country, The motives relating to Buddhistical stories give impetus to the full growth and wider development of the motif-literalness of 'seduction and malign'. Such a motif exists universally in the Arabian and European world and also has come into full existence and has been adequately developed in China. Today when we examine this motif phenomenon, we should go into the deeper psychological and cultural structure of ancient Chinese concubines, the shortcomings that existed in the traditional women and even into the deep-rooted bad habits attached to our nation.
出处
《上海师范大学学报(哲学社会科学版)》
北大核心
2000年第1期74-82,共9页
Journal of Shanghai Normal University(Philosophy & Social Sciences Edition)
关键词
文学研究
世界小说
非正常两性关系
女性形象
female image relation between sexes
Buddhistical stories
Motif Pattern Comparative Study