摘要
郑愁予作为台湾现代诗人的代表,他的诗歌中既有"纵的继承"也有"横的移植"。他对传统的继承有诗情资源的化用,音韵和节奏的讲究和清词丽句的选用;对西方的移植主要是一些现代表现技巧的征用如客观对应的征用、空白的遗留等。通过对其美学技巧的探讨为当今诗歌的创新发展提供一些借鉴与帮助,避免新诗低俗、散化的弊病。
Zheng Chouyu is a representative modem poet in Taiwan, and his poetry has both "vertical inheritance" and "horizontal transplant". He has inherited the poetry tradition of rhyme and rhythm, and paid attention to the selection of lucid and elegant style; his transplantation of western poetry is mainly reflected by his adoption of some modern techniques, such as corresponding objective requisition, blank remnants and so on. Through analysis of his aesthetic techniques, reference for our present poetry innovative development will be provided so as to avoid the poetic vulgar and bulk malady.
出处
《合肥学院学报(社会科学版)》
2012年第4期71-75,共5页
Journal of Hefei University:Social Sciences
关键词
郑愁予
诗情
技巧
语言
Zheng Chouyu
poetry
technique
language