摘要
周涛长期生活在新疆,对西部雄伟壮丽的自然风光、源远流长的历史文化及丰富多彩的民族生活十分熟悉,在他的诗歌中,常常借助马、鹰、山、骆驼等西部自然中具有原始生命力或自由、刚劲、雄伟与坚韧的意象符号,将西部游牧文化精神形象化,构筑起一个立体的、雄性的、质感的新疆,有力地揭示了这一区域的精神风貌和内在气韵。
Because of long living in Xinjiang, Zhou Tao is very familiar with the grand natural scenery, long cultural history and colorful ethnical life of the west. In his poems, with the help of such image symbols with the features of freedom, vigor, magnificence, and persistence or with primitive vitality in the western nature as horse, eagle, mountain, and camel, he makes the western nomandic culture vivid, as a result of which he constructs a cubic, male, and tangible Xinjiang and forcefully reveals the spiritual and internal termperament of this region.
出处
《南都学坛(南阳师范学院人文社会科学学报)》
2012年第4期60-63,共4页
Academic Forum of Nandu:Journal of the Humanities and Social Sciences of Nanyang Normal University
关键词
周涛
诗歌
意象
Zhou Tao
poems
image