摘要
自2011年7月国家版权局正式启动《着作权法》第三次修改专家建议稿工作以来，《着作权法》第三次修改很快引起中国学界、实务界与产业界相关人士的高度关注，2012年3月底，国家版权局公布了《〈着作权法〉（修改草案）》（以下简称「修改草案」），修改的内容更是引起了各界对着作权法的大讨论，尤其是音乐界中，国际上也引起一定的关注。这些修改内容值得检讨，尤其是私人复制、录音制品法定许可与着作权集体管理组织等。「修改草案」没有涉及的现实问题，在本次修改中也应当予以解决，包括作品类型与着作权限制等。本文拟对修改草案修改的内容及其未涉及的内容，提出进一步的修改建议，以对完善中国着作权法律制度有所裨益。
The third amendment to Copyright Law quickly has caught a great attention from the academic, practical and industrial field around China since National Copyright Administration official started the third amendment to Copyright Law in July, 2011 and accepted proposals from experts. Until March, 2012, National Copyright Administration published Copyright Law （revision draft） （＂revision draft＂ called for short in the following）. These amendments lead to a heated discussion in all circles, the field of music in particular. The international community pays attention to this revision as well. These amendments need to be discussed, specially about private copying, legal approve of phonograms, collective administration and organization for copyright and so on. This paper endeavors to provide some suggestions on amendments in revision draft and on those beyond the draft, in order to help improve the system of copyright law.
