摘要
徐渭强调以情为本,大胆突破了儒家重伦理教化的艺术局限,强化了艺术的表现特性;深刻发掘了"本色"的理论价值,弘扬"真我",使艺术创造表现出鲜明的个性特征;突破了传统简淡闲雅、和谐优美的审美风尚,敢于表现狂逸奇伟、富有崇高特质的审美境界,显示了艺术审美由古典向近代逼近的历史进程。徐渭的艺术美学思想,对中国的艺术及美学都具有深远的影响。
Xu Wei put a strong emphasis on the feelings that his art works are oriented toward. He made a daring breakthrough in the artistic restrictions of moral principles and moralization which had been upheld by the Confu- cianists. At the same time, Xu Wei strengthened artistic expressiveness. In order to express the distinct specific characteristics of art creation, Xu Wei made an in-depth exploration of the theoretical value of "the inherent quali- ties" and advanced and enriched "the actual self". Via breaking through the traditional prevailing aesthetic con- vention of conciseness, ease, elegance, harmony and gracefulness and by way of advocating the aesthetic values of wildness, grace, peculiar and greatness, which were filled with the characteristic of loftiness, the works of Xu Wei revealed the historical process of art appreciation which was changing from classic to the modem times gradually. The aesthetic thoughts of Xu Wei' s art works have exerted a far-reaching influence on Chinese art and aesthetics.
出处
《山东大学学报(哲学社会科学版)》
CSSCI
北大核心
2012年第4期128-132,共5页
Journal of Shandong University(Philosophy and Social Sciences)
基金
教育部人文社科重点研究基地重大项目"中华传统审美文化与有中国特色的当代审美文化建设问题研究"(项目编号IOJJD750004)的阶段性成果
关键词
徐渭
艺术美学取向
“本色”
狂逸
Xu Wei
the aesthetic orientation of art
the inherent qualities
wildness and grace