摘要
汪曾祺复出之后的小说创作,通过对底层人物日常生活及民俗民风的描写,体现了其独特的民间情结和审美追求。汪曾祺以文学家特有的眼光,从民间生活中发掘美,进而欣赏美、弘扬美,表现出鲜明的情感价值取向。在时代政治环境及汪曾祺个人经历等多种因素的共同作用下,民间成为汪曾祺真正寄托心灵空间和追求个体精神自由的乌托邦。
Wang Zengqi＇ s fictions after 1980s present his unique folk complex and aesthetic pursuit in the descrip- tion of the daily life and folk customs of people living in the bottom of the society. As a writer, he discovers the beauty of folk life, and then appreciates and propagates it, displaying a striking orientation of value and emotion. The then political climate and his personal life experience jointly make folk life a utopia where he could place his heart and soul and pursue his spiritual freedom.
出处
《山东大学学报（哲学社会科学版）》
CSSCI
北大核心
2012年第4期143-146,共4页
Journal of Shandong University(Philosophy and Social Sciences)
