摘要
工笔画在画史中的尴尬处境,实乃文人画语境下的一元论所致。工笔画不等同于画工画,与画工画最大的区别在于画工画只描摹客体而无主体,而工笔画既有客体又有主体,在追求画外意境、诗性的同时,更注重画内的功夫,最求细节与意境、诗性的统一,故传统工笔画的审美,遵循着绘画性、社会性、文学性与精神性原则。
Meticulous painting in the embarrassing situation in the art history is the result of the monism context of literati painting.Fine brushwork painting is different from painter painting,because the former is the description of the objective aspect rather than the subjective aspect in the pursuit of painting artistic conception.In the pursuit of the imagery vision and poetic attainment,it pays more attention to the painting’s strength.What’s more,its idea and artistic conception creation are expressed entirely through the accurate and faithful painting language,which is a valuable mode for later generations.
出处
《重庆三峡学院学报》
2012年第4期115-117,共3页
Journal of Chongqing Three Gorges University
关键词
工笔画
意境
本体性
meticulous painting
artistic conception
ontology