论“红色经典影视”作品中的新元素——以《激情燃烧的岁月》为例

New Elements in the "Red Classic Film and Television Works" ——Taking Age of Burning Passion a Example

文学艺术史上富有典型性的人物从来是多侧面、多层次立体的形象,而不是福斯特所说的"按照一个简单的意念或特性而被创造出来"的"扁平人物"。《激情》中没有对英雄人物进行"假、大、空"的美化,反而对人物进行了不同层面的丰富,同时也展现了在时代更替的时候两种不同思想的碰撞与冲突,即20世纪中期产生的农业文明、战争文明与五四现代文明之间的冲突,其表现方式为工农革命者与知识分子革命者之间的关系。

It is normal that the typical individual in literature history is multilevel image, which is not the same as what Forest said, ＂a flat individual is created in literature based on a simple idea or characteristic＂. The film Passion does not beautify heroes through ＂false, mighty, inanity＇, but enriches the characters from different sides. Meanwhile, it also represents the conflict between two distinct ideologies when the replacement of ages oc- curs. This collision is reflected by the conflicts between the civilization of agriculture, the civilization of war and the modem civilization of the May 4th movement, which is expressed by the relationship between revolutionaries of workers and peasants and the intellectual revolutionaries.