摘要
在古今中外的文学作品中,"花园"是一个不容忽视的典型意象。作为一种边缘性的存在,它常在主流意识文化之外。"花园"这一独特场所历来都是中国文人的诗意神往之地,神往背后折射的却是对现实政治和文明秩序的不满和挑战。青春萌长的后花园、探索天性的百草园、精神顿悟的地坛,都在促进人性和谐发展方面发挥着重要的作用。
In the literary works of both China and is a typical image that should never be neglected. As from the mainstream ideology. " Garden", a specific abroad, both ancient times and modem times, "garden" some kind of edged image, it has always been excluded place, has always been what Chinese writers long for, which also reflects that they are unsatisfied with and challenging the real political and cultural order. The backyard garden where grasses are growing rapidly, the "Garden of Hundreds of Kinds of Grasses" where young Lu Xun searched for an unexplored world, and the Altar of epiphany, all the places play a very important role in promoting the harmonious development of humanity.
出处
《大庆师范学院学报》
2012年第4期90-92,共3页
Journal of Daqing Normal University
关键词
后花园
百草园
地坛
“花园”意象
边缘性
backyard garden
" Garden of Hundreds of Kinds of Grasses "
Altar
the image ofgarden
edged