摘要
在一个有多种义旨结构发生冲撞的大系统内,艺术价值、生活情趣、社会要求的包容是需要付出极大努力才能实现的追求。按照场域理论的观点,艺术价值、生活情趣、社会要求可分别归类于艺术场、生活场、社会场。"场"是功能载体的存在,可为分析艺术价值、生活情趣、社会要求提供基本范畴;"场"也是意义实体的存在,其根本表现是具有场规则。艺术场、生活场、社会场的场规则作为一个全新的概念,经过提炼后,分别被揭示为追求独立性、娱乐性、和谐性。艺术场、生活场、社会场的信任冲突和障碍均源自于三种不同场规则的内涵指向,由此又从更广阔的方面构成艺术价值、生活情趣、社会要求的不包容。最终的结论是要实现艺术价值、生活情趣、社会要求的包容,重点是要突破场域信任障碍。
In a system of different meaning structures conflicting with each other, it takes a great effort to achieve the tolerance of artistic values, delights of life, and social requirements. Based on the field theory, artistic values, delights of life, and social requirements can be categorized into the field of art, the field of life, and the field of society respectively. The "field" is a carrier of functions, which can provide a basic support for the analysis of artistic values, delights of life, and social requirements; what~ s more, the "field" is also an entity of meanings, whose basic feature is that it has field rules. As a brand new concept, the rules of the field of art, the field of life, and the field of society, through extraction and purification, can be respectively revealed as independence, entertainment, and harmony. The conflicts and barriers of trust in the field of art, the field of life, and the field of society respectively originate from indications of these three field rules, and then form these three types of intolerance. The final conclusion is that breaching barriers of trust is the key point to achieve these three types of tolerance.
出处
《中国矿业大学学报(社会科学版)》
2012年第2期109-115,共7页
Journal of China University of Mining & Technology(Social Sciences)
基金
江西省社会科学"十一五"(2010年)规划课题(编号:10SH45)