从冯梦龙对柳永形象的重塑看话本小说的文人化——以《众名姬春风吊柳七》对《柳耆卿诗酒玩江楼记》的改编为例

Discussing the Scholar Quality of Vernacular Short Stories from the Recreation of Liu Yong's Image by Feng Menglong——Based on the Adaptation of "Liu Shi Qing Shi Jiu Wan Jiang Lu Ji"

从《清平山堂话本》到"三言",文人的参与对话本小说的发展起着至关重要的作用。以《众名姬春风吊柳七》对《柳耆卿诗酒玩江楼记》的改编为例,冯梦龙从体制、情节、语言等方面对柳永形象作了一番重塑,藉此也观见了话本小说发展史中文人化的轨迹:对话本小说体制的完善和定型化,思想主题的升华,人物形象塑造艺术的圆熟,教化性的强化,语言的雅化。

From the ＂ Vernacular Short Stories of the Clear and Peaceful Studio＂ to ＂Jan xan , me partic- ipation of scholars played an important part in the development of vernacular stories. Based on the adaptation of ＂Liu Shi Qing Shi Jiu Wan Jiang Lu Ji＂--＂ Zhong Ming Ji Chun Feng Diao Liu Qi＂ ,Feng Menglong made a recreation for the image of Liu Yong from the aspects of system, plots and language. This makes us notice the track of scholars in the development of vernacular novels, including the perfection and modeling of vernacular novel style, the improvement of thinking topic, the mature of hero creation technique, the strengthening of edu- cation and the gracefulness of language.