摘要
元中期延祐诗坛上出现的"宗唐复古"、以"雅正"为尚的风气,标志着元诗发展进入了一个新的阶段,也反映了中期文人和元政权取得了短暂的合作。但由于文人始终无法走进政治权力的核心,怀抱"旁观者心态",元中期"盛世文学"最终流于表象。作为"元诗四大家"之首的虞集,其诗学思想的双面性反映了"盛世文学"下汉族文人心态之纠结、诗学思想之复杂。这种尴尬,也预示着诗坛即将发生的另一种深刻变革。
The emergence of poetics tide featuring "emulating Tang Dynasty and reviving the ancient" and "Gracefulness and Orthodoxness" indicated a new phase in poetics development of Yuan Dynasty and a temporary collaboration between literati and regime in medium term of Yuan Dynasty.However the so-called "literature in flourishing age" in medium term of Yuan Dynasty was proved an illusion thanks to the alienation between literati and the core of regime and literati's mentality as a stander-by.As the head of "Four Great Poets in Yuan Dynasty",Yu Ji's thought on poetics was featured dual characters and complexity shared with almost all Han literati' mentality under so-called "literature in flourishing age".This embarrassment also prefigured another deep transformation in poetic circle at hand.
出处
《广播电视大学学报(哲学社会科学版)》
2012年第2期49-52,63,共5页
Journal of Radio & TV University(Philosophy & Social Sciences)
关键词
延祐
虞集
宗唐复古
雅正
旁观者心态
Yan-You(a reign title of Yuan Dynasty
from 1314 to 1320)
Yu Ji
"Emulating Tang Dynasty and reviving the ancient"
"Gracefulness and Orthodoxness"
Mentality of a stander-by