抗战文学“大众化”的历史逻辑与实践理路

The populaire historical logic and practical theory of the literature of resistance

文艺大众化的实践是文学发挥其审美性与社会性的内在诉求。抗战特殊语境催生了文艺鼓舞大众的显效性目标,然而也加深了作家与读者的隔膜,使文艺大众化实践面临困境。抗战时期关于民族形式的论争厘清了诸多理论性问题,为文艺大众化的实践提供了知识背景和理论借鉴。解放区作家自觉践行文艺为工农兵服务的指导思想,建构了属于人民的文艺美学典范,文艺大众化被纳入革命化体系之中并将其推向深处。

The practice of art popularization is the inherent requirement of sociality and aesthetics that the literature bring into play. The special context of resistance not only accelerated the effectual target that the art popularization should play an important role in inspiring the public, but also deepened the further two-way diaphragm between the writer and the reader, which made the practice of art popularization face dilemma. The debate about folk format clarified numerous theoretical questions during the period of anti- Japan war and provides the practice of art popularization with knowledge background and theoretical reference. The writer of Liberated Area carry out consciously the guiding thoughts that the literature and art should give service to worker-peasant-soldier, and build the model of literary and aesthetics which belong to the people. The art popularization was brought into the revolutionize system and deepen the revolutionize system.