摘要
中国动画"民族化"80年的发展历程中,在民族题材、民族绘画、片种等方面取得了一定的成绩。但在大跃进环境下,有人把"民族形式"赋予了政治内涵,演变为"民族化"口号,并与"爱国"、"为工农兵服务"的政治立场联系起来,形成"主题化、民族化"的教条法则,有悖于"民族化"的初衷。"民族化"不是外壳形式和原装故事的图解,而是内在的民族思想与精神构建。在动画产业化潮流中,抛弃极端的"民族化"口号,将有利于解放思想,丰富动画题材,同时加快与国外先进动画技术的对接,学习他们的成功模式,从而实现真正意义上的"民族化"。
In this article,the author thinks that during the 80 years process of 'Nationalization' of Chinese animation,certain achievements related to the ethnic theme,ethic painting and movie type have been obtained.However,in the environment of 'the Great Leap',some people gave 'national form' a political connotation and evolved it into the slogan of 'nationalization',and linked it with political position,such as 'patriotism','serving for workers,peasants and soldiers'.That resulted in the formation of a dogma of 'theme and nationalization' and is contrary to the original intention of 'nationalization'.'Nationalization' is not an illustration on external forms and original stories,but a construction of internal national thought and spirit.In the trend of animation industrialization,the abandoning the slogan of extreme 'Nationalization' will be beneficial to emancipate the mind,enrich theme of animation,try to keep up with the pace of foreign advanced animation technology,learn from their successful modes,and realize the true sense of the 'nationalization'.
出处
《民族学刊》
2012年第4期77-82,96,共6页
Journal of Ethnology
基金
教育部人文社会科学2010年度规划项目"中国动画的主要缺失与对策研究"(项目编号:10YJA760028)
四川省教育厅四川动漫研究中心项目(项目编号:20111108)
西南民族大学2011年研究生学位点建设项目(项目编号:2011XWD-S0504)成果
关键词
中国动画
民族化
故事模式
中国元素
Chinese animation
nationalization
story mode
Chinese elements