形式的意义及限度——西方形式美学思想研究

Formation's Meaning and Its Limitation——A study on the thought of formation aesthetics in the west

西方形式美学在不断丰富、发展的同时充分暴露出不合理之处,主要表现为脱离人的现实生活,认为美在于物体的单纯的抽象形式,不管人们是否发现它,它都客观地存在着;把人看作纯粹的自然的人,或者夸大人在审美活动中的主观能动性,轻视物体形式的作用。事实上,审美活动是主客体互动的结果;美不是由抽象形式结构单一决定的,对称、和谐、整一、秩序的物体形式不能单纯地决定事物的美与不美;美不是某些事物固有的属性,美感的产生离不开人的积极主动性,美感仅是人对事物的评价,它无法摆脱人的心情的作用。

Formation aesthetics in the west reveals flaws at thesame time though it is to enrich and penetrate. They break away from life, thinking that the beauty rests with the purely abstract shape of substance, but whether people discover it, its wholly objective being. And thinking man is unadulterated and nature mankind, or overstating the subjective dynamic role that man is living in the beauty appreciation maneuver. We can ascribe appreciation maneuver to subject and object together. Simultaneous appreciation cannot be resolved by abstract shape composition unity, and for instance, some aesthetics men think beauty lies in symmetry, harmony, integrity and sequence;As a matter of fact, the aesthetic perception comes into being through people＇s real activities and the moods of the man action can be not shaken off.