摘要
1990年代,能做展览、演出和私人聚会的场所部很少。尽管如此。中国一些最知名的文化人物——尤其是在艺术和音乐领域——还是有办法找到自己的＂阵地＂。正当这个全新的中国开始吸引西方观察者们的注意力之时,艺术家邢丹文扮演了视觉记录者的角色,其身份兼具艺术家、摄影记者和事件参与者。
In the 1990s,there were very few places to hold contemporary art exhibitions,concerts,or even simple gatherings of friends.Nonetheless,some of China＇s most celebrated cultural figures-particularly in the fields of art and music-would manage to break their own ground.Just as this new New China would capture the attention of cultural observers in the West,the artist Xing Danwen acted as a visual intermediary, code switching between artist,photojournalist,and participant.
出处
《艺术界》
2012年第3期114-121,16,共8页
