摘要
通过观察我们日复一日的生活,香港艺术家李杰用他极富绘画性的布画和纸板画,以及由此构成的室内＂陈设＂装置,提示着人在政治性中自处的方式。
While Lee＇s work may not be of the variety to offer any clear remedy to the various inequities or internal heartaches it addresses, it does suggest ways of locating the personal within the realm of the political simply by looking at how we live our lives on a daily basis.
出处
《艺术界》
2012年第3期122-133,122+16,共12页
