摘要
从概念的探讨到造型的试验,黄然对形体＂越渡＂之可能性的探索,正走到一个未知与不可测的节点。
From the probing of concepts to experiments with the figure,Ran Huang＇s exploration of the ＂transgressive＂ possibilities of figural art has arrived at an unknown and unimaginable juncture.
出处
《艺术界》
2012年第3期144-151,16,共8页
