摘要
"逝去中的痕迹"是台湾新媒体艺术家袁广鸣在大陆的首次个展,展览并未带来任何新作,更像是面对大陆观众介绍这位知名艺术家的艺术概貌。展览作品既涵盖了袁广鸣早期经典作品:例如,录像装置《盘中鱼》,将白瓷盘作为屏幕放映一只波光粼粼的金鱼在碗中逍遥游弋的录像;同时也展示了其近作,例如,《逝去中的风景——经过Ⅱ》,一部让观者身临其境地窥视其家中隐秘场景的三频录像装置。
"Disappearing Traces" is Taiwan Residents new media artist Yuan Goang-Ming's solo debut on the Mainland. The exhibition does not present any new works by the artist, but rather seems intended to introduce Mainland audiences to the well-established artist's oeuvre. The works in the show range from Yuan's early classics, like the video installation Fish on Dish, which uses a white plate as the screen for a video of a bright, billowy goldfish noodling around his bowl; to recent works like Disappearing Landscape--Pass- ing H, an immersive three-channel video instal- lation that guides a voyeuristic viewer through intimate scenes in the artist's home.
出处
《艺术界》
2012年第3期206-207,共2页